What is the Intelo font?
Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions – an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect.
The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials.
When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages.
To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.
Intelo Font families
The Intelo includes the following font families:
- Intelo Hairline
- Intelo Hairline Italic
- Intelo Thin
- Intelo Thin Italic
- Intelo Light
- Intelo Light Italic
- Intelo Regular
- Intelo Italic
- Intelo Medium
- Intelo Medium Italic
- Intelo Semi Bold
- Intelo Semi Bold Italic
- Intelo Bold
- Intelo Bold Italic
- Intelo Extra Bold
- Intelo Extra Bold Italic
- Intelo Alt Hairline
- Intelo Alt Hairline Italic
- Intelo Alt Thin
- Intelo Alt Thin Italic
- Intelo Alt Light
- Intelo Alt Light Italic
- Intelo Alt Regular
- Intelo Alt Italic
- Intelo Alt Medium
- Intelo Alt Medium Italic
- Intelo Alt Semi Bold
- Intelo Alt Semi Bold Italic
- Intelo Alt Bold
- Intelo Alt Bold Italic
- Intelo Alt Extra Bold
- Intelo Alt Extra Bold Italic
Intelo Preview
Here is a preview of how Intelo will look. For more previews using your own text as an example, click here.
Who designed Intelo font?
Intelo font was designed by Kastelov. His background is in corporate identity and branding. One approach that he tries to follow in the work that he does is his strive for subtlety and simplicity. The great Dieter Rams summed this up really well in his phrase “Less, but better”. The catch of course is that this is easier said than done, and it requires you to be more attentive and strategic about what is essential and what is not.
The other concept is that of the ‘golden mean’, first coined by Aristotle to judge and evaluate character in the people around us, but also applicable to producing any work of consistent value. In people, qualities such as courage, liberality, friendliness, wittiness and modesty are incidentally all attributes that a good typeface should posses. Kastelov find this relation both daunting and intriguing, but also a good base for exploring and developing typefaces that are timeless and universally appealing.
Kastelov is also the designer of the following fonts:
Axiforma
Nolan
Kinetika
Intelo
Nolan Next